magiadoreal

O Som ao Redor (Brasil, 2013). Direção e Rot. Original: Kleber Mendonça Filho. Fotografia: Fabricio Tadeu & Pedro Sotero. Música: DJ Dolores. Dir. de arte: Julio Dornelles. Montagem: Kleber Mendonça Filho & João Maria. Figurinos: Ingrid Mata. Com: Gustavo Jahn, Irandhir Santos, Waldemar José Solha, Maeve Jinkings, Irma Brown, Sebastião Formiga, Yuri Holanda, Clébia Souza, Lula Terra . Num bairro elitizado do Recife, o cotidiano de seus moradores se modifica com a chegada de dois seguranças privados, comandados por Clodoaldo (Santos).   Os seguranças tem que lidar com os furtos de Dinho (Holanda), neto do patriarca Francisco (Solha), homem mais rico e influente das vizinhanças. Outro neto de Francisco, João (Jahn) confronta o primo, quando sua namorada, Sofia (Brown), tem o carro arrombado e o som furtado. Também mora próximo a dona de casa Bia (Jinkings), que combate as tensões do cotidiano com, dentre outros artifícios, a maconha que consegue com o entregador de

In my first report , I mentioned that the Iranian film A Respectable Family was an unexpected gem. I’ve come across another, the Brazilian film, Neighboring Sounds (2012). It has a remarkable formal device that unfortunately I can’t disclose without ruining the film for those who haven’t seen it. It’s a technique that takes a while to figure out, since it’s cumulative. (Fortunately, unlike with A Respectable Family , I have yet to find a review or program note that mentions it.) The film is set in Recife, the fifth largest city in Brazil. It centers around members of two families living in a complex of smaller, older houses surrounded by new condo high-rises that will eventually swallow the entire area. (The image above vividly shows the juxtaposition.) The divide between rich and poor is extreme, however, and the residents live in fear of crime, with elaborate gates and with grilles over their windows. Suspense is generated when a small group of men offer their servi